A haunting play at New York Theatre Workshop

  • Powerful play by Moisés Kaufman and Amanda Gronich explores the paradox of Nazis enjoying leisure time amidst the Holocaust.
  • New York Theatre Workshop production draws on interviews and photographs from Auschwitz concentration camp.
  • Play focuses on a photograph album once in possession of Karl Höcker, former adjutant to the last commandant of Auschwitz.

Moisés Kaufman and Amanda Gronich’s powerful play, ‘Here There Are Blueberries’, currently running at New York Theatre Workshop, delves into the chilling paradox of Nazis enjoying leisure time while overseeing the Holocaust. The production draws on interviews and photographs from Auschwitz concentration camp, challenging audiences with the uncomfortable truths it uncovers.°

Factuality Level: 8
Factuality Justification: The article provides a detailed and accurate description of the play ‘Here There Are Blueberries’, its creators, and its themes. It also includes relevant information about the characters and their actions, as well as the reactions of contemporary Germans to the discovery of the photograph album. The only potential issue is the mention of the play being a finalist for the 2024 Pulitzer Prize, which should be corrected to 2023.°
Noise Level: 3
Noise Justification: The article provides a detailed review of a play about the Holocaust and its exploration of the role of ordinary Germans in the atrocities committed during that time. It discusses the play’s structure, themes, and impact on audiences. While it may not be directly related to current events or offer actionable insights, it does provide thoughtful analysis and historical context.°
Private Companies: New York Theatre Workshop,Tectonic Theatre Project
Key People: Moisés Kaufman (Playwright and Director), Amanda Gronich (Playwright), Karl Höcker (Former bank teller and adjutant to the last commandant of Auschwitz), Rebecca Erbelding (Young archivist at the museum), Judy Cohen (Director of the photography collection), Tilman Taube (Character in the play), Rainer Höss (Rudolf’s grandson), Lili Jacob (Survivor), David Bengali (Projection Designer)

Financial Relevance: No
Financial Markets Impacted: No
Financial Rating Justification: The article discusses a play about the Holocaust and its impact on individuals involved, focusing on the people who participated in or ignored the atrocities. It does not pertain to financial topics nor does it mention any events that would impact financial markets or companies.°
Presence Of Extreme Event: Yes
Nature Of Extreme Event: Historical Event
Impact Rating Of The Extreme Event: Major
Extreme Rating Justification: The play explores the participation of seemingly benign German citizens in the Holocaust and the complicity of ordinary people in atrocities, showing how they either participated or ignored the horrors happening around them. The historical event is depicted through powerful visual imagery and narration, leaving a lasting impact on the audience.°
Move Size: No market move size mentioned.
Sector: All
Direction: Down
Magnitude: Large
Affected Instruments: Stocks, Bonds, Commodities

Reported publicly: www.wsj.com